Suggested by corpus and selected by Sabine Malicha
Anderson, Jack: Art without boundaries. London: Dance Books Ltd 1997, 205-208.
Anderson, Jack: Choreography observed. Iowa City: Iowa Press 1987.
Banes, Sally: Writing Dancing in the Age of Postmodernism. Hannover/London: Wesleyan Univ. Press 1994. (Merce Cunningham´s Story, 103-109; Cunningham and Duchamp, 109-118)
Banes, Sally: Democracy´s Body. Judson Dance Theater, 1962-1964. Durham: Duke Univ. Press 1993.
Brandstetter, Gabriele: Figur und Placement. Körperdramaturgie im zeitgenössischen Tanztheater - am Beispiel von Merce Cunningham und Meg Stuart, In: Musiktheater heute, Basel 2003.
Bremser, Martha: Fifty Contemporary Choreographers. London/New York: Routledge 2000.
Broadhurst, Susan: Digital Practices. Aesthetic and Neuroesthetic Approaches to Performance and Technology. Houndmill: Palgrave Maximilian, 2007. (Digital dance, evolution and chance: Merce Cunningham´s BIPED, 77-86)
Brown, Carolyn: Chance and Circumstance. Twenty years with Cage and Cunningham. New York: Alfred A. Knopf 2007.
Cage, John/Cunningham, Merce: Dancers on a Plane. London: Thames & Hudson 1979.
Carter, Alexandra (Hg.): Merce Cunningham and Jacqueline Lesschaeve: Torse: There are no fixed ponts in space, In: The Routledge dance studies reader. London: Routledge 1998, 29-35.
Celant, Germano (Hg): Merce Cunningham. Mailand: charta 2000.
Cohen, Selma Jeanne (Hg.): Merce Cunningham, Two Questions and Five Dances, In: Dance as a theatre art. Hightstown: Princeton Book Company 1974.
Copeland, Roger: Merce Cunningham: The Modernising of Modern Dance. New York: Routledge 2004.
Copeland, Roger: Merce Cunningham and the Politics of Perception. In: What is Dance? Readings in Theory and Critisism. Copeland, Roger/Cohen, Marshall (Hg.), Oxford: Oxford Univ. Press 1983, 307-325.
Copeland, Roger: Beyond expressionism: Merce Cunningham´s critic of ´the natural´, In: Dance History, Adshead-Lansdale, Janet/Layson, June (Hg.), London: Routledge 2002, 182-198.
Croce, Arlene: Writing in the dark, dancing in the New Yorker. NY: Farrar, Straus and Giroux 2000.
Cunningham, Merce: Art performs life: Merce Cunningham, Meredith Monk, Bill T. Jones, Minneapolis: Walker Art Center 1998.
- Changes. Notes on choreography. Starr, Frances (Hg.), NY: Something Else Press 1968.
- Commentary for a Video Event, In: C.B.S. Camera, III, 1974.
- Humans Doing Something, In: Christian Sience Monitor, 1979.
- Other animals, drawings and journals. NY: Aperture 2002.
- Space, Time and Dance (1952), In: Merce Cunningham, Dancing in Space and Time, Kostelanetz, Richard (Hg.), Chicago: a capella books 1992.
- The dancer and the dance, Merce Cunningham in conversation with Jacqueline Lesschaeve, NY: Boyars 1991.
- Time to walk in space, In: Dance Perspectives, No. 34, 1968.
- Two Questions and five Dances, In: Dance Perspectives, No. 34, 1968.
- You have to love dancing to stick to it, In: The Twentieth-Century Performance Reader. Huxley, Michael/Witts, Noel (Hg.), London: Routledge 2003,167-170.
Deufert, Kattrin: John Cages Theater der Präsenz, Norderstedt: FK medien 2001.
Dickinson, Peter (Hg.): Cage Talks. Dialogues with and about Cage. Rochester, NY: University of Rochester Press 2006.
Eliot, Karen: Dancing lives. Female Dancers from the Ballet d´Action to Merce Cunningham. Urbana: University of Illinois Press 2007.
Evert, Kerstin: Dance Lab. Zeitgenössischer Tanz und Neue Technologien. Würzburg: Königshauen & Neumann 2003, 43-45.
Francis, Richard: Freundschaften. D´Offey, Anthony (Hg)., Stuttgart, Cantz 1991.
Franko, Mark: Dancing Modernism/Performing Politics. Bloomington: Indiana University Press 1995.
Génicot, Thierry: Dossier: Dialogue classique/contemporain. Cunningham devenu classique?, In: Nouvelles de Danse, No. 14, 1993.
Horton Fraleigh, Sondra: Dance and the lived body. Adescriptive aesthetics. Pittsburgh: Univ. of Pissburgh Press 1987, 111-114, 132-138.
Hupp Ramsay, Margaret: The Grand Union (1970 - 1976). An Improvisational Performance Group. NY: Peter Lang 1991.
Huschka, Sabine: Merce Cunningham und der moderne Tanz. Körperkonzepte, Choreographie und Tanzästhetik. Würzburg: Königshausen & Neumann 2000.
Huschka, Sabine: Moderner Tanz.. Konzepte, Stile, Utopien. Hamburg: Rowohlt 2002.
Jeschke, Claudia: Tanz als BewegungsText. Analysen zum Verhältnis von Tanztheater und Gesellschaftstanz (1910-1965). Tübingen: Max Niemeyer 1999.
Jordan, Stephanie: Moving Music. Dialogues with Music in Twentieth-Century Ballet. London: Dance Books 2002.
Kirkpatrick, Gail B.: Tanztheater und Bildende Kunst nach 1945. Eine Untersuchung der Gattungsvermischung am Beispiel der Kunst Robert Rauschenbergs, Jasper Johns', Frank Stellas, Andy Warhols und Robert Morris' unter besonderer Berücksichtigung ihrer Arbeiten für das Tanztheater Merce Cunninghams. Würzburg: Königshausen & Neumann, 1996.
Klein, Gabriele: Tanz-Bild-Medien. Münster: LIT 2000.
Kneiss, Ursula: Aspekte bzw. Perspektiven des Post Modern Dance - ausgehend von Merce Cunningham, betrachtet aus der Sicht der experimentellen Tendenzen der sechziger und siebziger Jahre. Wien: Univ., Diss. 1986.
Kostelanetz, Richard (Hg.): Merce Cunningham, Dancing in Space and Time. Chicago: a capella books 1992.
Kostelanetz, Richard: American Imaginations. Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Berlin: Merve 1983.
Leigh Foster, Susan: Dancing Bodies, In: Meaning in Motion. New cultural studies of dance. Desmond, Jane C. (Hg.), Durham: Duke Univ. Press 1997, 236-257.
Leigh Foster, Susan: Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkley: Univ. of California Press 1986.
Lepecki, André: Wie aktuell ist die Moderne? Die Relativität der Rekonstruktion, In: ballett international/tanz aktuell, Heft: 8/9, 1996, 66-69.
Louppe, Laurence: La suite. Poétique de la danse contemporaine. Brüssel: Contredanse 2007.
Manning, Susan: Modern Dance, Negro Dance. Race in Motion. Minneapolis: University of Minnesota Press 2004.
Martin, Randy: Dance ethnography and the limits of representation, In: Meaning in Motion. New cultural studies of dance. Desmond, Jane C. (Hg.), Durham: Duke Univ. Press 1997, 328-339.
Mazo, Joseph H.: Prime Movers. The Makers of Modern Dance in America. New Jersey: Princeton Univ. Press 2000.
Morgenroth, Joyce: Speaking of Dance: Twelve contemporary choreographers on their craft. NY: Routledge 2004.
Nagura, Miwa: Cross-Cultural Differences in the Interpretation of Merce Cunningham´s Choreography, In: Moving words. Re-writing Dance. Morris, Gay (Hg.), London: Routledge 1998, 270-288.
Neu, Joschi: Wenn Achill tanzt ... Männlicher Bühnentanz vom Mythos zum Markenzeichen. Stuttgart: ibidem 2002.
Nöhring, Friederike: Tanz und Musik. Merce Cunningham und John Cage. In: Klang und Bewegung, Aachen 2004.
Novack, Cynthia J.: Contact Improvisation. Origines et influences du Contact Improvisation, In: Nouvelles de Danse, No. 38/39, 1999, 27-68.
Novack, Cynthia J.: Sharing the dance. Contact Improvisation and American Culture. Madison: Univ. of Wisconsin Press 1990.
Odenthal, Johannes: Danse et architecture. L'espace dansé. Les conflits du théâtre de danse moderne, In: Nouvelles de Danse, No. 42/43,11-25.
Olson, Ann S. (Hg.): The Black Mountain Connection. John Cage, Merce Cunningham, Irwin Kremen, M. C. Richards; The Tampa Museum of Art, Tampa: Tampa Museum of Art 1991.
Potter, Michelle: Writing About Merce, In: Dance Chronicle. Studies in Dance and the Related Arts. Vol. 17, No. 1, 1994, 107-110.
Preston-Dunlop, Valerie (Hg.): Dance Words. Amsterdam: Harwood Academic Publishers 1995.
Ramsay, Burt: The Male Dancer. Bodies, Spectacle, Sexualities. London: Routledge 1995.
Rainer, Yvonne: Feelings are facts. A life. Massachusetts: MIT Press 2006.
Reininghaus, Frieder/Schneider, Katja (Hg.): Experimentelles Musik- und Tanztheater. Laaber 2004, 169-171.
Rémy, Bernard: L´adieu au solo: Pina Bausch et Merce Cunningham, In: La danse en solo. Une figure singulière de la modernité. Rousier, Claire (Hg.), Paris: Centre national de la danse 2002.
Reynolds, Dee: Rhythmic Subjects. (Use of energy in the dances of Mary Wigman, Martha Graham and Merce Cunningham). Alton: Dance Books 2007.
Roseman, Janet Lynn: Dance Masters. Interviews with Legends of Dance. NY: Routledge 2001.
Sánchez, José A. : Dramaturgias de la imagen. Universidad de Castillia, La Mancha 1999.
Siegel, Marcia B.: The Tail of the Dragon. New Dance, 1976-1982. Durham/London: Duke Univ. Press 1991.
Sontag, Susan: Merce Cunningham. Photographs 1940-1981, In: Dancers on a Plane. Cage, Cunningham, Johns. NY: Alfred A. Knopf 1990, 54-80.
Suquet, Annie/Cunningham, Merce: Danse et nouvelles technologies. Piéger l'inédit. De Life Forms à Character Studio: un entretien avec Merce Cunningham à propos d'ordinateur, In: Nouvelles de Danse, No. 40/41, 1999, 99-112.
Tracy, Robert/Schatz, Howard (Hg.): A Summerspace for Merce, In: Dance Magazine, No. 7, 1999, 54-58.
Vaughan, David: Merce Cunningham, Fifty years, Harris, Melissa (Hg.), NY: Aperture 1997.
Vaughan, David: Merce Cunningham´s Choreography for the Cinema, In: Envisioning Dance on Film and Video. Mitoma, Judy (Hg.), NY: Routledge 2002, 34-39.
Vaughan, David: Merce Cunningham, In: Dancers on a Plane. Sontag, Susan (Hg.), NY: Alfred A. Knopf 1990, 81-87.
Vaughan, David (Hg.): Merce Cunningham: Creative Elements. In: Choreography and Dance - an international journal, Vol. 4 (3), Amsterdam: Harwood Academic Publishers 1997.
Vaughan, David: Merce Cunningham's The Seasons, In: Dance Chronicle. Studies in Dance and the Related Arts, Vol. 18, 1995, 311-318.
Walker Art Center (Hg.): Art performs life: Merce Cunningham, Meredith Monk, Bill T. Jones. NY: D.A.P. 1998.
Weis, Yvonne E.: Der Hang zur Bewegung. Aspekte der Bewegung in Werken von Beuys, Vostell, Paik und Cunningham. Salzburg: Univ., Diss. 1993.
Wolff, Janet: Reinstating Corporeality: Feminism and Body Politics, In: Meaning in Motion. Desmond, Jane C. (Hg.), Durham/London: Duke Univ. Press 1997.
(Dec. 9, 2008)
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