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FF–: THE NEW CORPUS FORMAT FOR EMERGING ARTISTS
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Ewa Bankowska |
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THIS TEXT IS NOT IMPORTANT
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Magdalena Chowaniec |
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HOMELESS STORY
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Adriana Cubides |
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MY STRATEGIES ON AVOIDING STRATEGIES
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Laia Fabre & Thomas Kasebacher |
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NOTFOUNDYET PERFORMANCE: STRATEGIES, INTERESTS, WORKS
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Fanni Futterknecht |
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WORKING STRATEGIES
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Dominik Grünbühel |
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Satu Herrala |
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CONFESSIONAL
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Radek Hewelt |
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WITH “HOW?” ON STAGE
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An Kaler |
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Johannes Lernpeiss |
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THE DREAMBOX ALLIANCE OF THE PRESIDENTS
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Andrea Maurer |
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A STRATEGY FOR CORPUS
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Marta Navaridas & Alex Deutinger |
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FROM ONE UNICORN TO ANOTHER
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Valerie Oberleithner |
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WORKING ON SPLENDID ISOLATION
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Michael O'Connor |
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Myself (as an artist living as a man living as a dancer living in a flat)
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Sabile Rasiti & Stephanie Rauch |
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Instant Space Choreography
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Charlotta Ruth / Physical Behaviour |
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SUBCONSCIOUS LAYERS IN CONCRETE ACTIONS
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Agnieszka Ryszkiewicz |
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SELF-INTERVIEW
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The curtains, the forest |
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LISA
HINTERREITHNER, ROTRAUD KERN AND NILS OLGER'S "TREE ME TREE" AT TANZQUARTIER
WIEN
By Satu Herrala
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A chip, please! |
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OLEG SOULIMENKO MAKES CHAKRAS MARCH AT BRUT VIENNA
By Hanna Palme
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Joys of the breast |
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BRUCE LABRUCE HATCHED "THE BAD BREAST" IN VIENNA
By Andreas Fleck
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Being more sentimental than intellectual |
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AGNIESZKA RYSZKIEWICZ MEETS CEZARY TOMASZEWSKI AT PAF
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Oberleithner / Ryszkiewicz: Map it! |
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Map your mates. Map your phantoms. – A paradisial, phantasmagorical survival trip through the minds of young artist driven initiatives.
By Valerie Oberleithner and Agnieszka Ryszkiewicz
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Jan Machacek: close-up landmarks 3 |
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Jan Machacek: close-up landmarks 1+2 |
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Agata Maszkiewicz - 06 |
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Agata Maszkiewicz - 05 |
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Agata Maszkiewicz - 04 |
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Agata Maszkiewicz - 03 |
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Agata Maszkiewicz - 02 |
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Agata Maszkiewicz - 01 |
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Fucking Time Machine! |
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A MONTHLY FEUILLETON (PART 9: JUNE)
By Agnieszka Ryszkiewicz
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What do you do for a living? |
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A MONTHLY FEUILLETON (PART 8: MAY)
By Agnieszka Ryszkiewicz
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Me dancing Butoh |
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A MONTHLY FEUILLETON (PART 7: APRIL)
By Agnieszka Ryszkiewicz
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Oh March |
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A MONTHLY FEUILLETON (PART 6: MARCH)
By Agnieszka Ryszkiewicz
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How is research creative in creating? |
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A MONTHLY FEUILLETON (PART 5: FEBUARY)
By Agnieszka Ryszkiewicz
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Maybe a cat would go well with Mascarpone? |
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A MONTHLY
FEUILLETON (PART 4: JANUARY)
By Agnieszka
Ryszkiewicz
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Awarding emerging choreographers |
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DECISION
MAKING IN A COMPLEX SITUATION: THE PRIX JARDIN D'EUROPE AT THE WORKING TITLE
FESTIVAL 2009 IN BRUSSELS
By Pieter T'Jonck
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Get a ride on your sensations |
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A MONTHLY
FEUILLETON (PART 3: DECEMBER)
By Agnieszka Ryszkiewicz
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Formation through collaboration? |
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A MONTHLY
FEUILLETON (PART 2: NOVEMBER)
By Agnieszka Ryszkiewicz
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Dance and the City |
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A SERIES OF TEXTS (PART 1: OCTOBER)
By Agnieszka Ryszkiewicz
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From Crazy Horse to a washing machine program |
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ON AUDITIONS IN GENERAL, AND SOME IN DETAIL
By Agnieszka Ryszkiewicz
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Curatorial Action |
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QUESTIONS AND ANSWERS CONCERNING THE COLLECTING, SORTING, PRESENTATION AND MEDIATION
By Beatrice von Bismarck
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O my god … it's not possible |
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AN ANALYSIS OF EMBARRASSMENT USED AS A STRATEGY IN CONTEMPORARY PERFORMANCE ART
Master Thesis
by
Agata Maszkiewicz
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Somewhere in Hessen, not in Kassel |
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A LOOK INTO "ATELIER07" AT THE DISKURS FESTIVAL 2007
by Agnieszka Ryszkiewicz
The Diskurs Festival is one of the oldest festivals for young artists in Europe. Organized on a yearly basis by students of the Theatre Applied Studies department of the Giessen University, it skillfully interweaves various forms of performing arts. Events such as panel discussions and public debates foster the constructive exchange between artists presenting their works, the public visiting/taking part in them, students of the University and this year's members of an exceptionally constructed atelier07.
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Continuation |
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SIX MONTHS ONE LOCATION
By Bojana Cvejic
The following text is the first draft of a project initiated by Xavier Le Roy and Bojana Cvejic. The history of the project dates from a working group which emerged during MODE05, conference on education in dance and performance held in Potsdam in march 2005. The conference followed an open-source logic of taking part, contributing and shaping discussion in immediate ways on the basis of direct involvement, where topics and interest/working groups arose, assembled and disintegrated daily. Six Months One Location is the offspring of one of these formations, and it continued to develop into a project, which will be realized in 2008.
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Research: What we use in our teaching and why |
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The following paper is the result of a two week research at the Tanzquartier Wien in april 2005. A group of 6 teachers, Gill Clarke (GB), DD Dorvillier (USA), Inge Kaindlstorfer (A), Eva Karczag (H/NL), Martin Sonderkamp (D/TUR), and Oleg Soulimenko (RUS/A) explored their approaches to teaching and through a process of talking, moving, watching, and writing, began to tease out why these approaches are important to them.
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