A Practice of Saying Goodbye Print

"THE LASTMAKER" AND GOAT ISLAND'S FAREWELL AT IN TRANSIT 08, BERLIN

By Sabina Holzer

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An Invitation to Loiter Print

FIVE E-MAILS TO THOMAS LEHMEN IN REPLY TO HIS INSTALLATION INVITATION AT IN TRANSIT 08 IN BERLIN

By Jeroen Peeters

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Running backward in advance of oneself Print

BRUNO BELTRÃO AND GRUPO DE RUA PREMIERE "H3" AT BRUSSELS' KUNSTENFESTIVAL DES ARTS

By Jeroen Peeters

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The Ballet Giggles and Gets Naked Print

DORIS UHLICH ON POINT(E) WITH "SPITZE" IN VIENNA'S BRUT

By Diane Shooman

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Reverse ghost busting – prick up your ears! Print

LILIA MESTRE PREMIERES "(G)HOSTS" AT BUDAFEST IN KORTRIJK

by Jeroen Peeters

 

“How much myth do we build into our experience of time?” The words are Don DeLillo’s, they reverberate in the theatre when a white curtain is drawn down-stage. How much myth do we allow into our lives? How much myth are we aware of? And which myths?

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The existence of something else Print

METTE EDVARDSEN PRESENTS HER NEW GROUP PIECE ‘OR ELSE NOBODY WILL KNOW’ IN KAAITHEATER (BRUSSELS)

by Jeroen Peeters

“A main focus in my works till now is ‘there’ness and an emphasized interest in or attention to presence and the present. Although the pieces seem to contemplate emptiness and absence, this is only there as a consequence of the existence of something else. I want to draw attention to little things, to other things, to attentiveness as such. I am interested in how our perception works, to find different ways of expanding our perceptive fields.

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The Sound of Silence Print

BORIS CHARMATZ PRESENTS THE SILENT FILM "UNE LENTE INTRODUCTION" IN DeSINGEL, ANTWERP

by Jeroen Peeters

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A choreography of disquiet Print

PERSPECTIVE #2: DEUFERT+PLISCHKE’S PREMIERE "REPORTABLE PORTRAITS" AT THE STEIRISCHER HERBST FESTIVAL IN GRAZ

by Jeroen Peeters

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Configuring Commemoration Print

PHILIPP GEHMACHER PREMIERS "LIKE THERE’S NO TOMORROW" IN BRUSSELS’ KAAITHEATER

By Jeroen Peeters

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