"THE LASTMAKER" AND GOAT ISLAND'S FAREWELL AT IN TRANSIT 08, BERLIN

By Agnieszka Ryszkiewicz

FIVE E-MAILS TO THOMAS LEHMEN IN REPLY TO HIS INSTALLATION INVITATION AT IN TRANSIT 08 IN BERLIN

By Jeroen Peeters

BRUNO BELTRÃO AND GRUPO DE RUA PREMIERE "H3" AT BRUSSELS' KUNSTENFESTIVAL DES ARTS

By Jeroen Peeters

DORIS UHLICH ON POINT(E) WITH "SPITZE" IN VIENNA'S BRUT

By Diane Shooman

LILIA MESTRE PREMIERES "(G)HOSTS" AT BUDAFEST IN KORTRIJK

by Jeroen Peeters

“How much myth do we build into our experience of time?” The words are Don DeLillo’s, they reverberate in the theatre when a white curtain is drawn down-stage. How much myth do we allow into our lives? How much myth are we aware of? And which myths?

METTE EDVARDSEN PRESENTS HER NEW GROUP PIECE ‘OR ELSE NOBODY WILL KNOW’ IN KAAITHEATER (BRUSSELS)

by Jeroen Peeters

“A main focus in my works till now is ‘there’ness and an emphasized interest in or attention to presence and the present. Although the pieces seem to contemplate emptiness and absence, this is only there as a consequence of the existence of something else. I want to draw attention to little things, to other things, to attentiveness as such. I am interested in how our perception works, to find different ways of expanding our perceptive fields.

BORIS CHARMATZ PRESENTS THE SILENT FILM "UNE LENTE INTRODUCTION" IN DeSINGEL, ANTWERP

by Jeroen Peeters

PERSPECTIVE #2: DEUFERT+PLISCHKE’S PREMIERE "REPORTABLE PORTRAITS" AT THE STEIRISCHER HERBST FESTIVAL IN GRAZ

by Jeroen Peeters

PHILIPP GEHMACHER PREMIERS "LIKE THERE’S NO TOMORROW" IN BRUSSELS’ KAAITHEATER

By Jeroen Peeters

CHANDRALEKHA GROUP'S "SHARIRA – FIRE / DESIRE" AT REPUBLIC

by Kate Mattingly

Provocative, esoteric, familiar, sensual – some of the words that came to mind watching Chandralekha Group's "Sharira – Fire/desire." These impressions, both contradictory and strong, led to deeper thoughts about appearances, references and cultural exchange.

by Hu Fang

   I was drawn unconsciously into a wonderful place. Room after room emerged from the shadows. Five doors opened in succession, dividing into five different colours, five different worlds. I can still remember today the astonishment that I felt at the time. In the overcast cities in which we live today, it is rare to see such a fantastic scene.

FRAMES AND PERCEPTION, A MEANDERING LOOK AT PERFORMANCE AND LIFE

by Kate Mattingly

Some thoughts about the occasion of a festival and the significance of seeing performances, exhibitions, films and discussions with artists from other places: Well-aware of the impossibility of understanding a culture through a handful of events, I also see the essential nature of these offerings in a time when technology and news media construct the lens through which we perceive countries and cultures.

ABOUT HOW ART CANNOT SAVE WORKERS

by Kate Mattingly

Does globalization create a flattening of identity? How do cultures respond to issues of imitation and authenticity? How is "the local" represented in a global world? How do the arts propagate the self?