By Jeroen Peeters

INPEX: THE SWEDISH DANCE HISTORY, VOL. II

By Sabina Holzer

JEROEN PEETERS' FUNDAMENTAL BOOK ABOUT MEG STUART’S OPUS

By Esther Boldt

Trisha Brown, So That The Audience Does Not Know Wether I Have Stopped Dancing, Peter Eleey (ed.), Walker Art Center, Minneapolis, 2008, 96pp.

Alexandra Baudelot, Jennifer Lacey & Nadia Lauro: Dispositifs chorégraphiques, collection Nouvelles scènes, Dijon: Les presses du réel, 2007, 144 pp., 25 Euro, ISBN 978-2-84066-184-9

Julie Perrin, Projet de la matière – Odile Duboc: Mémoire(s) d'une oeuvre chorégraphique, collection Parcours d'artistes/Nouvelles scènes, Pantin: Centre national de la danse/Dijon: Les presses du réel, 2007, 208 pp., 30 Euro, ISBN 978-2-84066-201-3

By Jeroen Peeters 

KIMERER L. LAMOTHE: NIETZSCHE’S DANCERS

By Arno Böhler

Part I of Nietzsche's Dancers weighs up the significance of dance images in Nietzsche's texts. Step by step, Kimerer L. LaMothe locates the passages in which he uses the word "dance," from the The Birth of Tragedy till "The Works of 1888". During the course of her interpretation she develops the notion that Nietzsche had "a vision for dance as theopraxis." (LaMothe, 89).