ABOUT THE ABDUR-RAHIM JACKSON INCIDENT AND MY ARRIVAL AT PHILADELPHIA AIRPORT

By Michikazu Matsune

TWO CASES OF SUICIDE IN CHINA

By Wu Fei

Both the police and hospitals have a partial connection to suicide because suicide is related to death and health, but neither social system is concerned with the domestic injustice that often underlies the suicide of the patient whose interview with me remained incomplete.

THE SHAPE OF CHAOS ONE MUST HAVE WITHIN ONESELF

By Hakim Bey

NOTES OF READING ON GEORGES BATAILLE[1]

By Boyan Manchev

GOOD NEWS FROM THE FRONT ROW

By Agnieszka Ryszkiewicz

NOTES ON PHILIPP GEHMACHER'S WALK + TALK SERIES AT THE KAAISTUDIOS IN BRUSSELS

By Jeroen Peeters

THE MATRYOSHKA OF PROJECTIONS IN CHRISTOPHER NOLAN’S NEW FILM "INCEPTION"

By Helmut Ploebst

ON THE SCENE OF THE ANAGRAM IN CONTEMPORARY DANCE AND PERFORMANCE

By Krassimira Kruschkova

[…] the image of the genitals onto the armpit, that of the leg onto the arm, that of the nose onto the heel. Hand and tooth, armpit and genitals, heel and nose, in short, virtual and real arousal intermingle by overlaying each other.
Hans Bellmer

ARTAUD’S (ANTI-)THEATRICAL BODIES

By Rainer Nägele

And now I will say something which maybe will
amaze some people very much.

THE DUAL REALISATION OF DANCERS IN A SHIFT OF READING

By Helmut Ploebst

By Rabih Mroué

Introduction

March 29, 1971 Headline:
The International Committee for the Red Cross confirms the flight of the body of the Israeli Pilot to Vienna.

The Body
Officials from the International Committee for the Red Cross (ICRC) confirmed the arrival in Vienna of the body of an Israeli pilot killed in Lebanon. The body was subsequently reunited with the pilot's family.

By Roberta Lima

Body and Space are the subjects of my work. During the last years, I've started a series of investigations between these two subjects combined one to another and interpreted them in different areas: In architecture I created spaces inspired and directed to a specific use and user. In art, I reinterpreted rituals of subculture and sideshows in order to analyze how bodies – more specifically my own body – perceive and get perceived.

A picture book with documents from the Derra de Moroda Dance Archives

By Nicole Haitzinger and Christiane Karl

FRAGMENTS ON THE HISTORY OF MODERN ART IN PERVERTED PERSPECTIVE

By Boyan Manchev

By Jeroen Peeters

INPEX: THE SWEDISH DANCE HISTORY, VOL. II

By Sabina Holzer

JEROEN PEETERS' FUNDAMENTAL BOOK ABOUT MEG STUART’S OPUS

By Esther Boldt

Trisha Brown, So That The Audience Does Not Know Wether I Have Stopped Dancing, Peter Eleey (ed.), Walker Art Center, Minneapolis, 2008, 96pp.

Alexandra Baudelot, Jennifer Lacey & Nadia Lauro: Dispositifs chorégraphiques, collection Nouvelles scènes, Dijon: Les presses du réel, 2007, 144 pp., 25 Euro, ISBN 978-2-84066-184-9

Julie Perrin, Projet de la matière – Odile Duboc: Mémoire(s) d'une oeuvre chorégraphique, collection Parcours d'artistes/Nouvelles scènes, Pantin: Centre national de la danse/Dijon: Les presses du réel, 2007, 208 pp., 30 Euro, ISBN 978-2-84066-201-3

By Jeroen Peeters 

KIMERER L. LAMOTHE: NIETZSCHE’S DANCERS

By Arno Böhler

Part I of Nietzsche's Dancers weighs up the significance of dance images in Nietzsche's texts. Step by step, Kimerer L. LaMothe locates the passages in which he uses the word "dance," from the The Birth of Tragedy till "The Works of 1888". During the course of her interpretation she develops the notion that Nietzsche had "a vision for dance as theopraxis." (LaMothe, 89).

A TEXT INSPIRED BY A WORK MICHAEL STROHMANN AND MYSELF DID AS PART OF “I LIKE TO MOVE IT MOVE IT”, LINZ09

By Yosi Wanunu

AN INTERVIEW BY EMAIL WITH DD DORVILLIER

By Sabina Holzer

MALA KLINE AND ROBERT HAYDEN ABOUT TEACHING (&) DESIRE, TRUST AND RESPONSIBILITY

NOTES ON BORIS CHARMATZ' BOOK "JE SUIS UNE ÉCOLE"

By Jeroen Peeters

A BRIEF TREATISE

By Matthew Goulish

MY SCHOOL EXPERIENCE WAS NOT VERY COMMON

By Amanda Piña

I LOVE SLEEPING DURING A WORKSHOP: IT CAN OPEN UP SO MANY DOORS

By Frans Poelstra

"ARTISTIC PRACTICE IS MAINLY ONE THAT HAPPENS IN THE REAR OF THE UNKNOWN AND INSECURE."

Von deufert+plischke