A CLASSIFICATION / NOTATION SYSTEM FOR MOVEMENT ARTISTS, DEVELOPED

By Frey Faust

(UN)DANCING REPRESENTATIONS OF GENDER AND SEXUALITY WITH KEITH HENNESSY AT IMPULSTANZ 09

By Satu Herrala

AN INTERVIEW WITH JULIETTE MAPP

by Sabina Holzer

Juliette Mapp is a dancer, teacher and choreographer based in Brooklyn, New York. She has danced for many choreographers like Deborah Hay, Vicky Shick, Stefanie Skura and also John Jasperse Company, with whom she worked for nine years. Juliette received a "Bessie" Award in 2002.

by Stephanie Cumming 

The topic of the dancer as author is one that I relate to but often find very difficult to express succinctly in words. When asked to describe the process of creating/re-creating myself on stage in various characters, voices and physicalities I usually end up giving an answer to the effect of "uhhh ... it just sort of happens." But upon reflecting on the topic, I discovered that my ability as a dancer to create is directly connected to that million-dollar question of "Why do I dance at all?"

by Richard Siegal

The following is a collection of confused and contradictory thoughts on a subject of absurd complexity. No effort is made to bushwhack for the reader. I offer instead doubted credos, semi-aphorisms, and aborted theses. This may be the most precise definition we can offer at present of Contemporary Ballet Technique.

I was asked to write an article about improvisation. This is it. A little explanation before you start reading. If you click on the links in this article you will come to my web-blog, which has some music. Click on the photo to hear the music. One warning: if you don't listen to the music you will never understand why I like to improvise. Have fun!

Frans Poelstra

APPROACH TO THE CULTIVATION OF AN ARTICULATE, FLEXIBLE, AND BALANCED PHYSICALITY

By DD Dorvillier

by Michikazu Matsune and Naeem Mohaiemen

An insight into H.O.P.E. Archive #1. A series of photographs taken by Michikazu Matsune, accompanied by a chat between N. M. in Dhaka and M. M. in Vienna.

by Michikazu Matsune and Naeem Mohaiemen

An insight into H.O.P.E. Archive #2. A series of photographs taken by Michikazu Matsune, accompanied by a chat between N. M. in Dhaka and M. M. in Vienna.

A photo series by ANJA HITZENBERGER (www.anjahitzenberger.com ) with the dancer Jimena Paz.

REPORT ON RESEARCHES OF DANCE, CHOREOGRAPHY, VANGUARD STRATEGIES/TACTICS IN THE CONTEXT OF THE INTERMEDIAL OPEN LABORATORY AT TQW

ABY WARBURG AS MAENAD, GUY DEBORD AS PRINCE OF DARKNESS, AND AS SIDE-ACT ALEXANDER KLUGE IN THE ROLE OF THE COMMENTATOR

By Werner Rappl

Summary notes with comments on several kinds of choreographies looking back on the laboratory “versehen” at the Tanzquartier Vienna from March 3 to March 8, 2008:

WHAT IS LANGUAGE THAT KNOWS? WHAT IS LANGUAGE THAT CARES?

By Sabina Holzer

AT IMPULSTANZ IN THE SLIDESHOWROOM OF
THE PROJECT SPACE OF KUNSTHALLE WIEN
ON KARLSPLATZ: JULY 19-31 AND AUGUST 4-9

CORPUS PROVIDED "THE ZIMMER" EVERY NIGHT AFTER THE CPA'S PERFORMANCES AT HOTEL EUROPA IN GRAZ

Composed by Captain Carey in collaboration with the media.