Kinesthetics: Four Questions Print

ANSWERED FOR CORPUS BY ANDREY ANDRIANOV, ROSEMARY BUTCHER, JULYEN HAMILTON, SUSAN T. KLEIN, JEREMY KRAUSS, STEVE PAXTON, AND LINDA RABIN

Questions: Sabina Holzer and Katrin Roschangar

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Dreaming the body Print

BENOÎT LACHAMBRE ABOUT A SHAMANIST APPROACH, GENDER ISSUES, BODY PRACTICES, TEACHING, CIRCUS & THE SPECTACLE, AND HIS RESEARCH CENTRE

A conversation with Sabina Holzer

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Survival Strategies (Part 1) Print

MATHILDE MONNIER: AGING IN DANCE IS A POLITICAL ISSUE

The human body is intelligent and well equipped to create tools, rules and skills to survive various situations! How do we survive (in) the world of art? Two young dancers and choreographers, Valerie Oberleithner and Agnieszka Ryszkiewicz, met two advanced contemporary artists, the Vienna based choreographer Frans Poelstra and the French choreographer and head of the CCN of Montpellier Mathilde Monnier to talk about their personal ways of surviving. Read in the following 1st part about Mathilde Monnier’s survival strategies as she explained them to her interviewer Valerie Oberleithner in Hotel Biedermeier, Vienna.

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Survival Strategies (Part 2) Print

FRANZ POELSTRA: IS HAVING NO STRATEGY A STRATEGY?

The human body is intelligent and well equipped to create tools, rules and skills to survive various situations! How do we survive (in) the world of art? Two young dancers and choreographers, Valerie Oberleithner and Agnieszka Ryszkiewicz, met two advanced contemporary artists, the Vienna based choreographer Frans Poelstra and the French choreographer and head of the CCN of Montpellier Mathilde Monnier to talk about their personal ways of surviving.

To talk about survival strategies Agnieszka Ryszkiewicz welcomed Frans Poelstra in a basement in Bandgasse, 7th district of Vienna, that serves as stock to a children shop. As father of two kids, Poelstra is immediately drawn to the toys that surround us. Eventually he will leave the space with empty hands. Stealing is not part of his survival strategies.

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Faustin Linyekula Print

ABOUT "MORE MORE MORE... FUTURE" presented at brut Wien in the frameWORK of Wiener Festwochen

Material from a conversation with Michikazu Matsune

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Julyien Hamilton in the move Print

A CONVERSATION ABOUT IMPROVISATION, DANCE, TEXT, LANGUAGE, AND PERFORMANCE


By Sabina Holzer

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Ibrahim Quraishi: Parody is a necessity Print

blason_27x30_drop A TALK INITIATED

By Sabina Holzer

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Kosei Sakamoto: “Can private go public?” Print

AN INTERVIEW WITH THE JAPANESE CHOREOGRAPHER

By diaTXT / Kyoto

The neologism "prublic" is a combination of "private" and "public". As can be seen representatively with blogs and "otaku" culture and the like, through the rapid popularization of the internet, communities possessing certain public characteristics are appearing in all sorts of forms throughout the world. As a result, the boundary between the so-called "private" and "public" has become blurred, and it seems that the difference between private and public domains is indeed becoming difficult to distinguish. On examining the question "What is to be done? (Education)" put forward by documenta 12, we realized that the abovementioned phenomenon is a major issue in many areas of Japanese education today. And in the art scene since the nineties, new and diverse forms of expression have been appearing that are thoroughly grounded in private sensibilities and personal everyday things while also being closely connected to contemporary society. [...]

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Tim Etchells on his way home Print

ABOUT "SPECTACULAR" AND OTHER REALMS OF GHOSTLINESS. A TALK ON THE PHONE

By Helmut Ploebst

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Padmini Chettur beyond Bollywood Print

The Indian choreographer about her country, her culture, and her work. A talk with Daniel Aschwanden and Helmut Ploebst.

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Georges Didi-Huberman Print

A CONVERSATION ABOUT THE POSSIBILITY OF A GAY SCIENCE

By Pierre Zaoui and Mathieu Potte-Bonneville

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With Martin Nachbar in a grey zone Print

THE OUTSTANDING GERMAN CHOREOGRAPHER TALKS

and Michikazu Matsune listens


Martin Nachbar has studied the dance of Dore Hoyer for nine years. In his work “Urheben Aufheben”, Nachbar staged Hoyer's Affectos Humanos which includes short dances of vanity, of desire, of fear, of hate and of love. Reconstructing a dance of another time is difficult. One can restage the choreography but cannot recreate the circumstances the work was in. However, Martin Nachbar found an interesting combined format of demonstrating Hoyer's dances with his "making of” in which he describes his path and approach to her dance. The day after the premiere of “Urheben Aufheben” at brut wien, I spoke with him at the apartment he was staying at during his visit to Vienna. This is a part of our talk.   MM
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And after all this, silence Print

A triangular conversation between Andrei Andrianov, Oleg Soulimenko and Jack Hauser. Part of a performance at Tanzquartier Wien in the framework of Correspondances, June 2, 2007.
Transcribed by
David Ender.

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Meeting Yvonne Rainer Print
One of the key figures of American postmodern dance speaks about her separation from and her re-entering the field of choreography, comments her recent work, gives her view on contemporary dance and talks about her encounters with European artists, who re-visited her avant-garde work of the 1960s and 1970s, and about her writings and her memoir. An interview by Helmut Ploebst.
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Hooman Sharifi’s body explodes Print

The Norwegian choreographer about his pieces and projects, about the body, dance & movement, Jérôme Bel, culture & colonialism, terrorism and the army. An interview by Jack Hauser and Helmut Ploebst.

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John Cage and the anarchic harmony Print

A NEW VERBATIM TRANSCRIPT FOR DOCUMENTA 12 MAGAZINES

By INTO-GAL

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Patrícia Portela about James Bond’s Shoes Print
About two or three dimensions, old-fashioned theatres, and the loss of time. The portugese ”choreographing scenographer” talks about her creative strategies with Martina Ruhsam.
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