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Acting in relation |
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A RECORD OF SOME PARTS OF "SCORES#4: UNDER PROTEST" AT TANZQUARTIER WIEN
By Mario Sud
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Gesturing history, practice and idiosyncrasy |
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ON SARA MANENTE’S "FAIRE UN FOUR"
By Jeroen Peeters
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Formulations in the unfamiliar |
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DEUFERT+PLISCHKE, ALAIN FRANCO AND MARCUS STEINWEG: "ANARCHIV #3: SONGS OF LOVE AND WAR"
By Jeroen Peeters
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The American Myth |
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“NEUTRAL HERO“ BY RICHARD MAXWELL DURING WIENER FESTWOCHEN
By Yosi Wanunu
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The future of dance? |
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LAURENT CHÉTOUANE WITH “HORIZON(S)” AT TANZQUARTIER WIEN
By Astrid Peterle
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Concert of ideas |
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PATRÍCIA PORTELA’S "THE PRIVATE COLLECTION OF ACÁCIO NOBRE" AT PERFORMATIK, BRUSSELS
By Pieter T’Jonck
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Exhilarating madness |
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"ALL THE WAY OUT THERE..." BY METTE INGVARTSEN & GUILLEM DE MONT PALOL AT PERFORMATIK, BRUSSELS
By Pieter T’Jonck
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The Third Hand |
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DARREN ARONOFSKY'S FILM "BLACK SWAN" OR THE BLACK SWAN IN THE BLACK SWAN
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A noisy political phantasm |
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BORIS CHARMATZ PRESENTS "LEVÉE DES CONFLITS" AT THÉÂTRE DE LA VILLE IN PARIS
By Jeroen Peeters
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Facing empathy’s secret routes |
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ANTONIA BAEHR WITH "FOR FACES" AT THE NEXT FESTIVAL IN EUROMETROPOLE LILLE-KORTRIJK-TOURNAIE
By Jeroen Peeters
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Everything makes sense |
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THOMAS LEHMEN’S “SCHROTTPLATZ” AT FAVORITEN 2010 FESTIVAL IN DORTMUND
By Jeroen Peeters
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Entranced in multitasking |
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ESZTER SALAMON PRESENTED “DANCE FOR NOTHING” AT TANZ IM AUGUST 2010 IN BERLIN
By Jeroen Peeters
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Two Fabulous Coups |
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Jonathan Burrows and Matteo Fargion showED "cheap lecture" and "the cow piece" at Vienna’s Impulstanz 2010
By Sabina Holzer
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Guilt and games |
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WIENER FESTWOCHEN: SANJA MITROVIĆ'S DOCUMENTARY PERFORMANCE "WILL YOU EVER BE HAPPY AGAIN"
By Sabina Holzer
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Tempted to walk |
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TANZQUARTIER WIEN: THROUGH THE CITY WITH SATU HERRALA AND DAVID BERGÉ
By Elke Krasny
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In a state of unrest |
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ANNE TERESA DE KEERSMAEKER AND JÉRÔME BEL IRRITATE WITH THEIR CO-OPERATION "3ABSCHIED"
By Helmut Ploebst
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Joys of the breast |
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BRUCE LABRUCE HATCHED “THE BAD BREAST” IN VIENNA
By Andreas Fleck
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A chip, please! |
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OLEG SOULIMENKO MAKES CHAKRAS MARCH AT BRUT VIENNA
By Hanna Palme
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Source code choreography? |
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SOME CRITICAL THOUGHTS ON JANEZ JANŠA’S “FAKE IT!” AT TANZQUARTIER WIEN
By Katherina Zakravsky
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Agents of the common equivalent |
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DANIEL ASCHWANDEN AND PETER STAMER FOLLOW THE PATH OF MONEY AT TANZQUARTIER WIEN
By Chris Standfest
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Getting disciplined by performance? |
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ON ANN LIV YOUNG'S "THE BAGWELL IN ME" AT IMPULSTANZ 09
By Katherina Zakravsky
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Future Potential |
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IT IS A BECOMING, A HYBRID, A MONSTER. TANZQUARTIER WIEN, "THE SKIN OF MOVEMENT", DAY 3.
By Sabina Holzer
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“Buy It” says Jochen Roller |
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ABOUT "NO MONEY, NO LOVE" AND "YOUR MONEY MAKES IT HAPPEN"
By Michikazu Matsune
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Take a walk on the wild side, and talk |
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Notes on
Philipp Gehmacher's project walk + talk in Tanzquartier Wien
by
Jeroen Peeters
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Troublemakers and Mavericks |
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SCREENING OF DOCUMENTATION MATERIAL FROM THE LEGENDARY DANCE COLLECTIVE "GRAND UNION"
by Sabina Holzer
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The empire of remote witnesses |
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SUPERAMAS
CREATE ‘EMPIRE (ART & POLITICS)' AT LA VILLETTE IN PARIS
By Jeroen Peeters
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Hallucinating Daily Figures |
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ANNA HALPRIN & ANNE COLLOD: "PARADES AND CHANGES, REPLAYS"
AT TANZQUARTIER WIEN (2)
By Sabina Holzer
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“I Am Looking For Someone Who Dares To Be Totally Naked” |
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ANNA HALPRIN & ANNE COLLOD: "PARADES AND CHANGES, REPLAYS"
AT TANZQUARTIER WIEN (1)
By Michikazu Matsune
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Mette Ingvartsen's Coup |
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THE DANISH CHOREOGRAPHER WRITES DANCE HISTORY WITH HER WORK “EVAPORATED LANDSCAPES”
By Helmut Ploebst
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