ON SARA MANENTE’S "FAIRE UN FOUR"

By Jeroen Peeters

DEUFERT+PLISCHKE, ALAIN FRANCO AND MARCUS STEINWEG: "ANARCHIV #3: SONGS OF LOVE AND WAR"

By Jeroen Peeters

“NEUTRAL HERO“ BY RICHARD MAXWELL DURING WIENER FESTWOCHEN

By Yosi Wanunu

LAURENT CHÉTOUANE WITH “HORIZON(S)” AT TANZQUARTIER WIEN

By Astrid Peterle

PATRÍCIA PORTELA’S "THE PRIVATE COLLECTION OF ACÁCIO NOBRE" AT PERFORMATIK, BRUSSELS

By Pieter T’Jonck

"ALL THE WAY OUT THERE..." BY METTE INGVARTSEN & GUILLEM DE MONT PALOL AT PERFORMATIK, BRUSSELS

By Pieter T’Jonck

BORIS CHARMATZ PRESENTS "LEVÉE DES CONFLITS" AT THÉÂTRE DE LA VILLE IN PARIS

By Jeroen Peeters

ANTONIA BAEHR WITH "FOR FACES" AT THE NEXT FESTIVAL IN EUROMETROPOLE LILLE-KORTRIJK-TOURNAIE

By Jeroen Peeters

THOMAS LEHMEN’S “SCHROTTPLATZ” AT FAVORITEN 2010 FESTIVAL IN DORTMUND

By Jeroen Peeters

ESZTER SALAMON PRESENTED “DANCE FOR NOTHING” AT TANZ IM AUGUST 2010 IN BERLIN

By Jeroen Peeters

Jonathan Burrows and Matteo Fargion showED "cheap lecture" and "the cow piece" at Vienna’s Impulstanz 2010

By Sabina Holzer

ANNE TERESA DE KEERSMAEKER AND JÉRÔME BEL IRRITATE WITH THEIR CO-OPERATION "3ABSCHIED"

By Helmut Ploebst

BRUCE LABRUCE HATCHED “THE BAD BREAST” IN VIENNA

By Andreas Fleck

OLEG SOULIMENKO MAKES CHAKRAS MARCH AT BRUT VIENNA

By Hanna Palme

SOME CRITICAL THOUGHTS ON JANEZ JANŠA’S “FAKE IT!” AT TANZQUARTIER WIEN

By Katherina Zakravsky

DANIEL ASCHWANDEN AND PETER STAMER FOLLOW THE PATH OF MONEY AT TANZQUARTIER WIEN

By Chris Standfest

ON ANN LIV YOUNG'S "THE BAGWELL IN ME" AT IMPULSTANZ 09

By Katherina Zakravsky

IT IS A BECOMING, A HYBRID, A MONSTER. TANZQUARTIER WIEN, "THE SKIN OF MOVEMENT", DAY 3.

By Sabina Holzer

ABOUT "NO MONEY, NO LOVE" AND "YOUR MONEY MAKES IT HAPPEN"

By Michikazu Matsune

Notes on Philipp Gehmacher's project walk + talk in Tanzquartier Wien
by Jeroen Peeters

SCREENING OF DOCUMENTATION MATERIAL FROM THE LEGENDARY DANCE COLLECTIVE "GRAND UNION"

by Sabina Holzer

SUPERAMAS CREATE ‘EMPIRE (ART & POLITICS)' AT LA VILLETTE IN PARIS

ANNA HALPRIN & ANNE COLLOD: "PARADES AND CHANGES, REPLAYS" AT TANZQUARTIER WIEN (2)

ANNA HALPRIN & ANNE COLLOD: "PARADES AND CHANGES, REPLAYS" AT TANZQUARTIER WIEN (1)

By Michikazu Matsune

THE DANISH CHOREOGRAPHER WRITES DANCE HISTORY WITH HER WORK “EVAPORATED LANDSCAPES”

By Helmut Ploebst

THE FESTIVAL “FRESSEN ODER FLIEGEN. ART INTO THEATRE – THEATRE INTO ART” AT HAU IN BERLIN OPENED UP SPACES FOR REFLECTION IN ART EXPERIENCE

By Helmut Ploebst

A NATIONAL CHOREOGRAPHIC CENTRE.

"LA PORTA" GIVES INSIGHTS ABOUT THEIR WORK, THE IMPORTANCE, THE POWER, AND THE PRECARIOUS SITUATION AS INDEPENDENT STRUCTURE IN BARCELONA IN RELATION TO THE ARTISTIC FIELD.

By Sabina Holzer

A corpus survey on a term in process. 52 artists, theoreticians, curators and critics declare themselves. [All texts in English. corpus wishes to thank Tanzplan Deutschland for its financial support for the translations.]

Terms are products of their usage. Since that which they designate inevitably changes, some of those who operate with certain terms gradually notice that something has ceased to be all right. Insecurity spreads out. In the course of the past ten or fifteen years, dance has undergone significant changes. While on the surface it looked as if the dancing in dance might become obsolete, it actually expanded the field's potentials, started to flow and began to investigate new territory. The resulting irritation with the identification of dance did not really question the production of art works, but it did do so regarding some handed-down thinking models of the genre.